The panning and filtering effects all the sounds go through. The incredibly infectious and ominous bassline. There's also the accompanying, mystically stunning and serene synth pad backdrop compared to the nasty foreground. That harsh stab, was it sampled from 808 State Cubik per chance and put through the grinding machine? Or from Sykosis 451? Holy Noise? Or maybe something similar? De Mooy certainly pulverised that sound wherever it's originally taken from. The main prize on here goes to Tekno Bam. That goes for his involvement on ESP Records as well. It's difficult to choose for me as I always find something i like a bit too much from D-Shake's 1990 - 1991 period to compare between tunes.
And this one's definitely right up there. I think it's one of his best as I like several on an equal basis. I don't think this is D-Shake's best record. I'm comparing them to the main tune on this release. But then that also depends on what other styles of music they're already been played next to.
I don't think they're bad tunes at all, but more for a warm session than full-on dancefloor smashers.
Even Boomin' Bumpin' plays around with the same notes, although not exactly the same chords. The main differences to the former is that on this they've been broken up in places. I hate having to bang on about the nuances, but they've been replayed NOT sampled. The chords on Sonic Bogus are basically the same or at the very least, very similar to the main melody found on Reese & Santonio - Rock To The Beat / Reese - Rock To The Beat / 101 - Rock To The Beat / 101 - Rock To The Beat.
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